2026年8月15日,拾萬空间(石家庄)将开启一次暑期特别展览,展至9月15日。展览名为“全体大用”,意在追问什么是“用处”。其中,既有艺术家金亚楠、莫倪健和杨洋在工作室完成的作品,也有他们在北障城村现场起意的作品。
On 15 August 2026, Hunsand Space (Shijiazhuang) will open a special summer exhibition running through 15 September 2026. Titled Boundless Responsiveness, the exhibition poses a question: what is "use"? It brings together works made in the studio by artists Jin Ya'nan, Monijian and Yang Yang, alongside works conceived on-site at Beizhangcheng Village.

展览:全体大用
艺术家:金亚楠、莫倪健、杨洋
展期:2026年8月15日—9月15日
开幕:2026年8月15日 周六
布展直播:2026年8月15日 周六上午10点
撤展直播:2026年9月15日 周二上午10点
北障城村天主堂坐落于太行山区腹地,是一座有着百年历史的乡村教堂建筑,拾萬空间将其改造成展厅进行使用,至今已有四年时间。在此过程中,这三位艺术家多次前往当地,每去一次,他们的心情都很复杂,复杂到说不清、道不明,以至难以用词汇客观描述。
借此八月酷暑之际,我们将与三位艺术家在此地再次相遇,并相处一段时间,看看还会有怎样新的感受,以及“用处”到底是什么?
同时,8月15日和9月15日,我们会开设两场现场直播,一次是布展直播,一次是撤展直播。


Artists:Jin Ya'nan, Monijian, Yang Yang
Installation Live Streaming: 10:00 AM, Saturday, August 15, 2026
Dismantling Live Streaming: 10:00 AM, Tuesday, September 15, 2026
The Catholic Church of Beizhangcheng Village sits in the heart of the Taihang Mountains — a rural church with over a century of history. Hunsand Space has been using the church as an exhibition space for the past four years. Over this time, the three artists have visited the site on multiple occasions. Each visit has left them with emotions that are difficult to name, difficult to explain, and impossible to describe with any precision.
This August, in the height of summer, we will once again gather here with the three artists, spend time together, and see what new experiences emerge—and what "use" might come to mean.
In addition, we will host two live streams: one on 15 August following the exhibition installation, and one on 15 September following its dismantling.
Following six months of renovation work, the foundational structure of the church has been reinforced, and the roof, windows, and walls have been restored, meticulously reviving the appearance of this village-level church prior to its abandonment. Consequently, our team is delighted to announce the inaugural opening of the church space for an exhibition on April 27th.
During the preparation for the opening exhibition, we have been pondering over what type of exhibition should be presented in such a specific space and how to conceptualize it. Though numerous ideas for exhibition planning have crossed our minds, whenever we are in the village of Beizhangcheng where the church is located, these curatorial plans and concepts seem deliberate and pale in the face of this ancient village. Especially at the end of 2023, when we, along with artists, came here after a heavy snowfall and saw several elderly people sunbathing in the village, one of them holding a baby not yet a year old - dressed in thick overalls, with a rosy red face, and a layer of chapped skin - the natural, primitive health, and vitality were unforgettable, gradually dissipating our somewhat superficial cultural imagination of this space...
Thus, for this opening exhibition, we have decided not to impose a specific theme and to forego the conventional release of a list of participating artists. Instead, we will rely on personal perceptions to select appropriate artists and their works to gradually enter this space, allowing a gradual connection to form between them, with time facilitating the revival and transformation of the space, and the inherent power of art guiding the space's attributes. After the exhibition opens, we will periodically introduce featured artworks and artists, together witnessing the process of their integration with this village church space under natural light.
So, we warmly welcome everyone to personally.
Exhibition Guidelines:
Due to its location within the Taihang Mountains, Hunsand Space (Shijiazhuang) is relatively remote, and thus, except for the exhibition opening, daily visits require prior reservations.
1.The scheduled visiting times are from Friday through Sunday every week(10:00-18:00). During other national holidays, please refer to the official WeChat notifications from the gallery for timely updates. For requests to visit during unscheduled periods, kindly send an email detailing your purpose and any exceptional circumstances; we will consider such requests on a case-by-case basis.
2.Reservation can be made either directly by scanning the QR code below or scan the QR code to add the gallery's customer service WeChat account. When contacting them, be sure to indicate the number of visitors, the desired date, and the specific time slot. Based on the prevailing conditions at that time, we will confirm whether the reservation has been successfully made. In order to secure your preferred time slot, it is recommended to book at least one week in advance.
3.Location and Parking: Please navigate to the church space using the provided GPS coordinates or directions. Parking is available both in the northern and southern areas of Beizhangcheng Village, near the banks of the Gantao River.
观展预约Exhibition Reservation:


Photography Guidelines:
1.In consideration of gallery and church management, we do not permit personal or small-scale photography sessions for purely commercial purposes, especially those involving individual portraits, wedding and family photoshoots, or clothing photography. We warmly welcome all visitors to appreciate the exhibitions with a respectful attitude towards art and the artists' creative endeavors.
2.For individuals who wish to bring along a photographer and professional equipment for personal non-commercial shoots, it is essential to contact us in advance. Failure to do so may result in our right to terminate your visitation.
Important Notices:
1.Please ensure you adhere to your reserved visiting times; should any special circumstances arise necessitating a change in your appointment, kindly inform us beforehand to make the necessary adjustments.
2.To allow everyone an intimate experience with the church space and the exhibited works, we have not installed barriers within the exhibition area. We kindly request that visitors maintain a safe distance from the exhibits and refrain from touching them. Should any artwork be damaged due to personal actions, compensation at its full value will be required.
3.In the event of unforeseen circumstances leading to the suspension or cancellation of the exhibition, we will promptly notify you and arrange for an alternative viewing time.
Once again, we express our sincere gratitude for your interest in Ten Thousand Space. We look forward to welcoming you to the heart of the Taihang Mountains.
For any inquiries or assistance needed, please feel free to contact us anytime.



金亚楠,现工作生活于杭州。通过创作、教学与策展等实践,持续关注历史如何在城市空间、制度运行与日常经验中不断被生产、协商与重构,探究个体、群体与体制之间复杂的关系,并在档案、基础设施与公共空间中发掘新的叙事可能。
Jin Ya'nan lives and works in Hangzhou, China. Through artistic practice, teaching, and curatorial projects, his work examines how history is continuously produced, negotiated, and reconstructed through urban space, institutional systems, and everyday experience. He explores the complex relationships between individuals, collectives, and institutions, uncovering new narrative possibilities within archives, infrastructures, and public space.
相关链接:

莫倪健,1992年生于新疆乌鲁木齐,2014年毕业于新疆师范大学绘画系,现工作生活于北京。莫倪健通过在城市街区不断行走,观察,进行现场在地创作,同时收集公共空间遗留物品,进行材料转化后,作为室内雕塑在展厅中呈现。他乐于寻找物品各自表面以外的可能属性,以及物品与物品之间不同关系的可能性。
Monijian born in Urumqi, Xinjiang in 1992, graduated from the Department of Painting atXinjiang Normal University in 2014. He currently lives and works in Beijing. Monijian engages in on-site creation by constantly walking, observing, and collecting remnants of public space. He transforms these materials into indoor sculptures presented in exhibition halls, seeking to explore the potential attributes beyond the surface of objects and the different relationships between them.
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杨洋,1993年生于内蒙古呼伦贝尔,现工作生活于广州。杨洋的创作长期游走于社会秩序的边缘地带。关注那些被价值体系忽略、被文明进程驱逐、被日常经验遮蔽的对象,在艺术家的作品中,这些边缘之物不断获得新的身份,并重新进入观看与讨论之中。
Yang Yang born in Inner Mongolia in 1993, and currently lives and works in Guangzhou. Yang Yang's practice has long operated at the margins of social order. It attends to those things overlooked by systems of value, displaced by the advance of civilization, or obscured by the familiarity of everyday experience. Within his work, these marginal presences continually assume new identities, returning to the field of visibility and renewed discussion.
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拾萬空间,2014年成立于北京草场地艺术区,2018年迁址到北京798艺术区。2021年底开设石家庄分馆拾萬当代艺术中心,2023年底迁至石家庄市井陉县北障城村天主堂。2023年初在杭州市西湖区转塘街道长埭村建立分空间,2026年7月迁入杭州天目里。拾萬空间对常规化的展览保持警惕,希望从当代艺术的语境出发,通过持续的展览和项目,来回应我们共同的生存境遇,激发出当下文化中被忽视的部分。
Hunsand Space was established in 2014 in Beijing’s Caochangdi Art Zone and relocated to the 798 Art District in 2018. At the end of 2021, the gallery opened the Hunsand Center for Contemporary Art in Shijiazhuang, which moved to the Catholic Church in Beizhangcheng Village, Jingxing County, at the end of 2023. In early 2023, the gallery established a space in Changdai Village, Zhuantang Subdistrict, Xihu District, Hangzhou, before relocating to OōEli, Hangzhou, in July 2026. Hunsand Space remains vigilant against the standardization of exhibitions; rooted in the context of contemporary art, it aims to respond to our shared existential conditions and illuminate the often-overlooked aspects of contemporary culture through ongoing exhibitions and projects.