“白日梦”群展于3月7日启幕，八位艺术家邀你共赴一场幻觉

2026年3月7日的春天，拾萬空间（石家庄）将打开一扇通往非现实的门。

门里，是辛宽笔下无人却处处留痕的荒诞风景，是王延鸣从新闻截图里打捞出的日常剧场，是申玮用墨色浇筑的七情巨石，是董一又在丝绸上轻若呼吸的幻影，是旦儿以千年模戳拓印的文化密语，是赵轩尚未言说、等待你填入的空白。

门外，是你——刚刚从地铁、公交、办公室走出来，手机里还存着未回的工作消息，脑子里还转着今晚吃什么。

进来吧。这里有一场白日梦。

Dreamers, please enter

"Daydream" Group Exhibition Opens March 7: Eight Artists Invite You into a Shared Illusion

This spring, on March 7, 2026, Hunsand Space (Shijiazhuang) opens a door to the unreal.

Inside the door: Xin Kuan's absurd landscapes—empty yet marked by traces of presence; Wang Yanming's everyday theater, drawn from fragments of news imagery; Shen Wei's monumental rocks of the seven emotions, rendered in ink; Dong Yiyou's breathlike visions, weightless on silk; Dan Er's cultural codes, impressed with thousand-year-old woodblocks; Zhao Xuan's unsaid—a blank space awaiting your inscription.

Outside the door: you—just stepped out of the subway, the bus, the office, with unread work messages still on your phone and dinner plans still turning in your mind.

Come in. A daydream awaits.

辛宽：人走了，痕迹还在

《离群》《海滨城市》《空中楼阁》——辛宽的画里没有一个人。但你总觉得，他们刚刚离开。

那些被遗弃的人造物，那些改变环境时未带走的痕迹，像一个个沉默的标点，迫使整个场景讲述缺席。艺术家称这是一种“后人类的凝视”：当人消失，物便活了过来，它们与风景形成新的关系，甚至是对抗。

站在画前，你会忍不住想：是我离开了它们，还是它们抛弃了我？

左右滑动查看更多

辛宽｜Xin Kuan

波澜大地 | Undulating Earth

布面丙烯 | Acrylic on canvas

120×150cm

2025

左右滑动查看更多

辛宽｜Xin Kuan

波澜大地 | Undulating Earth

布面丙烯 | Acrylic on canvas

90×90cm

2025

左右滑动查看更多

辛宽｜Xin Kuan

最远原来是永远 | Forever is the farthest

布面丙烯 | Acrylic on canvas

80×100cm

2026

左右滑动查看更多

辛宽｜Xin Kuan

降临 | Arrival

布面丙烯 | Acrylic on canvas

70×130cm

2025

左右滑动查看更多

辛宽｜Xin Kuan

空中楼阁 | Castles in the Air

布面丙烯 | Acrylic on canvas

150×120cm

2025

左右滑动查看更多

辛宽｜Xin Kuan

春风不渡玉门关 | Beyond the Gate of Jade, no spring winds blow

布面丙烯 | Acrylic on canvas

80×100cm

2026

左右滑动查看更多

辛宽｜Xin Kuan

海滨城市 | Coastal City

布面丙烯，石英砂，油画棒 | Acrylic and quartz sand on canvas, with oil pastel

90×180cm

2025

左右滑动查看更多

辛宽｜Xin Kuan

暗河 | Hidden River

布面丙烯 | Acrylic on canvas

100×80cm

2026

Xin Kuan: Gone, but the Traces Remain

Out of the Crowd, Coastal City, Castles in the Air—not a single person appears in Xin Kuan's paintings. Yet you always feel they have just left.

The abandoned man-made objects, the traces left in the wake of environmental change—they function like silent punctuation, compelling the entire scene to speak of absence. The artist calls this a "posthuman gaze": when humans disappear, objects come alive, forming new relationships with their surroundings—even entering into confrontation with them.

Standing before the paintings, you can't help but wonder: Did I leave them, or did they leave me?

王延鸣：新闻里的我们

《大劫案》《打虎》《上上下下左右左右 BABA》——王延鸣的作品大多来自新闻图。

但他画的不是新闻。他用炭笔、丙烯、油彩，把那些原本离我们很远的事件，拉进一个奇异的日常剧场。画幅不大，信息量不小。每一个画面都像一个暂停键，让你停下来想想：这些看似与我无关的事，是不是早就悄悄钻进了我的生活？

“都比较日常”，他在作品介绍里写了这五个字。

左右滑动查看更多

王延鸣｜Wang Yanming

演讲 | Speech

布面丙烯、油彩、炭、铅 | Acrylic, oil, charcoal and pencil on canvas

100×80cm

2025

左右滑动查看更多

王延鸣｜Wang Yanming

打虎 | Tiger Hunt

布面油彩、丙烯、铅、炭、油墨 | Oil, acrylic, pencil, charcoal and ink on canvas

90×60cm

2025

左右滑动查看更多

王延鸣｜Wang Yanming

放生 | Set Free

布面油彩、炭、铅 | Oil, charcoal and pencil on canvas

65×50cm

2025

左右滑动查看更多

王延鸣｜Wang Yanming

落水 | Falling into Water

布面油彩、油墨、铅 | Oil, ink and pencil on canvas

60×90cm

2025

左右滑动查看更多

王延鸣｜Wang Yanming

无题 | Untitled

布面油彩 | Oil on canvas

20×30cm

2025

左右滑动查看更多

F4

布面油彩、炭 | Oil and charcoal on canvas

20×30cm

2025

左右滑动查看更多

上上下下左右左右 BABA | Up, Up, Down, Down, Left, Right, Left, Right, B, A, B, A

布面油彩、炭 | Oil and charcoal on canvas

30×20cm

2025

Wang Yanming: We in the News

The Great Heist, Tiger Hunt, Up Up Down Down Left Right Left Right B A B A—Wang Yanming's works are largely drawn from news imagery.

But what he paints is not the news itself. Using charcoal, acrylic, and oil, he pulls events that once felt distant into a peculiar theater of the everyday. The canvases are modest in scale, yet dense with implication. Each image functions like a pause button, inviting you to stop and wonder: Could it be that these things, seemingly unrelated to me, have already quietly entered my life?

"All pretty everyday stuff," he writes in his artist statement—just four words.

申玮：与七情拔河

申玮的《七情石》系列，把人人都有的七情六欲，画成了巨石。

人拉拽它、托举它、搬运它。有时是角力，有时是协作。艺术家在问：当我们试图“以爱之名斩断七情六欲”，我们斩断的到底是什么？是生命力本身，还是那个不够“规范”的自己？

《非对称平衡》《逃跑路线》《影子的提醒》——每一幅都在追问同一个问题：那些我们视而不见的黑暗，是不是才是真相所在的地方？

左右滑动查看更多

七情石·以爱之名 | Seven Emotions Stone: In the Name of Love

纸本水墨 | Ink on paper

69.5×89.5cm

2025

左右滑动查看更多

申玮｜Shen Wei

七情石 | Seven Emotions Stone

纸本水墨 | Ink on paper

69.5×87cm

2025

左右滑动查看更多

申玮｜Shen Wei

七情石·N | Seven Emotions Stone：N

纸本水墨 | Ink on paper

69.3×79.5cm

2025

左右滑动查看更多

申玮｜Shen Wei

七情石 | Seven Emotions Stone

纸本水墨 | Ink on paper

63×69cm

2025

左右滑动查看更多

申玮｜Shen Wei

偷偷偷走你 | Stealing You Away

纸本水墨 | Ink on paper

69.5×47.5cm

2026

左右滑动查看更多

申玮｜Shen Wei

牛二好评 | Good reviews for Niu Er

纸本水墨 | Ink on paper

69.5×49.5cm

2025

左右滑动查看更多

申玮｜Shen Wei

影子的提醒 | The Shadow's Reminder

纸本水墨 | Ink on paper

69×69cm

2024

左右滑动查看更多

申玮｜Shen Wei

杀马 | Killing the Horse

纸本水墨 | Ink on paper

88.5×69.5cm

2025

左右滑动查看更多

申玮｜Shen Wei

非对称平衡 | Asymmetrical Balance

纸本水墨 | Ink on paper

49.5×69cm

2025

左右滑动查看更多

申玮｜Shen Wei

无辜通缉令（无罪）| Wanted: Innocent

纸本水墨 | Ink on paper

31.5×17cm

2024

左右滑动查看更多

申玮｜Shen Wei

Don 't Cry

纸本水墨 | Ink on paper

96×89cm

2025

左右滑动查看更多

申玮｜Shen Wei

呓语 | Muttering

纸本水墨 | Ink on paper

43.5×69.5cm

2025

左右滑动查看更多

申玮｜Shen Wei

绿色草地 | Green grassland

纸本水墨 | Ink on paper

63×91cm

2025

左右滑动查看更多

申玮｜Shen Wei

四方云 | Four-Quarter Clouds

纸本水墨 | Ink on paper

74.5×69.5cm

2025

Shen Wei: Tug-of-War with the Seven Emotions

In her Seven Emotions Stone series, Shen Wei renders the fundamental human emotions—joy, anger, sorrow, fear, love, hatred, and desire—as monumental boulders.

Figures pull at them, lift them, carry them. Sometimes it is a wrestling match; sometimes, a collaboration. The artist poses a question: When we attempt to "sever the seven emotions and six desires" in the name of love, what exactly are we cutting away? Is it life force itself, or the part of ourselves that refuses to conform?

Asymmetrical Balance, Escape Route, The Shadow's Reminder—each painting circles the same inquiry: Could it be that the darkness we choose to ignore is where the truth truly resides?

董一又：绢上的无名者

《Casse noix（核桃夹子）》《Cicérone batelier（船夫）》《Soeur inconnue（无名的她）》——董一又的画，在绢上，用的是水和墨。

名字是法语，画面是梦境。那些模糊的身影、飘渺的意象，像是记忆深处某个叫不出名字的人，像是童年某个午后的光斑，像是你快要醒来时还抓不住的最后一幕梦。

轻。

左右滑动查看更多

董一又｜Iyo DONG

落子无悔 | Le coup est joué

绢、水墨｜Silk, ink, watercolor

100×100cm

2026

左右滑动查看更多

董一又｜Iyo DONG

我们手牵手 | On se prend la main

绢、水墨｜Silk, ink, watercolor

100×100cm

2026

左右滑动查看更多

董一又｜Iyo DONG

无名的她 | Soeur inconnue

绢、水墨｜Silk, ink, watercolor

50×50cm

2023

左右滑动查看更多

董一又｜Iyo DONG

船夫 | Cicérone batelier

绢、水墨｜Silk, ink, watercolor

30×30cm

2025

左右滑动查看更多

董一又｜Iyo DONG

核桃夹子 | Casse noix

绢、水墨｜Silk, ink, watercolor

30×30cm

2025

lyoDONG : The Nameless on Silk

Casse-noix, Cicérone batelier, Sœur inconnue —Iyo DONGpaints on silk, using water and ink.

The titles are French. The images are dreamlike. Those blurred figures, those weightless apparitions — they feel like someone you can no longer name, buried deep in memory; like a patch of light from a childhood afternoon; like the final scene of a dream, slipping away just as you wake.

Ethereal.

旦儿：千年之后，模戳还在

旦儿的《雅克西旗/斯孜 -1-121号》是展览中体量最大的作品——四幅，146×364cm。

手工纸、日本颜彩、木质模戳。反复拓印，反复叠加。那些源自民间的图案，在一次次按压中变得模糊、重叠、陌生，却又固执地存在着。像一种古老的仪式，像从一千年以前传过来的密语。

你听不懂，但你知道它很重要。

左右滑动查看更多

旦儿｜Dan Er

雅克西旗/斯孜 -1-121号 | Greetings No. 1-121

手工宣纸、彩墨、中国画颜料、日本颜彩、木质模戳 | Handmade rice paper, colored ink, 

traditional Chinese painting pigments, Japanese colored pigments, wooden printing stamps

364×146cm

2025

Dan Er: A Thousand Years Later, the Stamp Remains

Dan Er's Greetings No. 1–121 is the largest work in the exhibition—four panels, each measuring 146 × 364 cm.

Handmade paper, Japanese pigments, wooden stamps. Impressed again and again, layered over time. The motifs, drawn from folk traditions, become blurred, overlapping, and unfamiliar through repetition—yet stubbornly present. Like an ancient ritual. Like a coded message carried across a millennium.

You may not understand it. But you know it matters.

赵轩：等待被看见

关于赵轩的作品，表格里是空的，只有一件用刀在白纸上刻的自画像。

不是忘了填。是你站到那面墙前，才能填上。

赵轩｜Zhao Xuan

自画像（写生） | Self-Portrait (from life)

草稿纸、刻刀｜Draft paper, knife

32.5×23.6cm

2026

赵轩｜Zhao Xuan

自画像（默写） | Self-Portrait (from memory)

草稿纸、刻刀｜Draft paper, knife

32.5×23.6cm

2026

Zhao Xuan: Awaiting the Gaze

Zhao Xuan's entry in the checklist is left blank—save for a single self-portrait incised into paper with a knife.

Not an omission. It is you, standing before that wall, who must complete it.

周天白：站在那，讲了一个小笑话

周天白的作品，话不多、感情也不充沛。

缓慢的抬头给你讲了一个小笑话。

左右滑动查看更多

周天白｜Zhou Tianbai

家 | Home

布面油彩、油性铅笔 |Oil and oil pencil on canvas

40×60cm

2026

左右滑动查看更多

周天白｜Zhou Tianbai

埋伏 | Ambush

布面油彩、油性铅笔 |Oil and oil pencil on canvas

40×60cm

2026

左右滑动查看更多

周天白｜Zhou Tianbai

善良人的家 | The Home of the Kind

布面油彩、油性铅笔 |Oil and oil pencil on canvas

50×70cm

2026

Zhou Tianbai: Just Standing There, Telling a Little Joke

Understated. Unemotional.

He looks up slowly and tells you a small joke.

于若晗：抓住一些碎片，让梦延续

在纸上画出来某个感觉的瞬间，好似这个感觉从未消失过，有过形状的东西才能将感觉注入。

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

29.7×21cm

2025

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

42×29.7cm

2025

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

29.7×21cm

2025

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

21×29.7cm

2025

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

21×29.7cm

2025

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

21×29.7cm

2025

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

42×29.7cm

2025

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

42×29.7cm

2025

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

42×29.7cm

2025

左右滑动查看更多

于若晗｜Yu Ruohan

成虫盘 | Imaginal Disc

纸本丙烯、彩铅 | Acrylic and colored pencil on paper

42×29.7cm

2025

Yu Ruohan: Capturing Fragments to Prolong the Dream

On paper, she captures the instant a feeling takes hold—as if it had never faded. Only what has taken shape can truly be given form.