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拾萬石家庄|即将展出|耿大有:台

2026-05-28 22:35:11

拾萬空间（石家庄）荣幸地宣布，将于2026年6月6日在石家庄井陉县北障城村天主堂空间呈现艺术家耿大有的个展“台”，展览汇集了艺术家近两年的创作。

Hunsand Space (Shijiazhuang) is honored to announce the solo exhibition Tai（台） by artist Geng Dayou, opening June 6, 2026 at the Catholic Church in Beizhangcheng Village, Jingxing County. The exhibition brings together the artist's works from the past two years.

艺术家：耿大有

展览：台

展期：2026年6月6日—7月31日

开幕：2026年6月6日 周六上午10点

直播导览：2026年6月6日 周六下午3点

台是什么？是中国人家里的阳台、灶台、窗台，是村口的戏台，是茶桌上的茶台，是庙前的拜台。台不大，刚好够一个人站上去、坐下来或者跪下来。台没有屋顶，但它是普通人“修行”的必经之地——你不需要进山，不需要剃度，只需要在自家的台前发一会儿呆、喝一杯茶、点一根烟，那一刻，世界就远了一米。

荣格说，人需要一块“Temenos”（神圣领域），才能完成自足。他在自己房子的拱门上刻了一行拉丁文：“无论是否被召唤，神都会在场”——那其实就是他的台。而中国人早就有更朴素的说法：灵台。不是宗教的祭坛，而是每个人心里那一小块清明的、自己说了算的地方。

耿大有把不锈钢、羊毛、实木并置在一起，于是，最坚硬的金属和最柔软的纤维相触。材料不是中性的媒介：冷与暖、硬与软、重与轻，这些物质关系直接作用于身体感知，触碰到的是人作为肉身最原初的物质直觉——那种自然唯物的世界观。他的作品本身就是一座座台，让人的身体停下来，重新辨认自身的重量与温度。

耿大有把这座“台”搬进了井陉的百年教堂。教堂建于1931年，砖石垒成，承重柱是圆的。观众看展览时要绕着柱子走——圆形的柱子，作品围绕着柱子也是圆的，这不只是巧合。绕柱而行的观众不是被动的观看者：每一次转向，都是一次微小的偏离。耿大有将这种偏离追溯到卢克莱修笔下原子的偶然偏斜（clinamen）——因果链条上的微小断裂，恰恰是自由和意义诞生的地方。

6月6日——卡尔·古斯塔夫·荣格的祭日。一座乡村教堂，一圈绕柱而行的观众，一些等待辨认的数字。台从来不在远处，它就在最日常的地方，等着人站上去，踩着脚下那一小块坚实的地面。但耿大有说：“再不可动摇的地基，都诞生于偶然性的秩序。”

“而我们正生活在奇迹之下。”

关于艺术家

耿大有，1998年生于山东淄博，现工作生活于上海。本科毕业于伦敦国王学院心理学专业，后于伦敦苏富比艺术学院获当代艺术理论硕士学位。心理学以及纯理论的非传统艺术教育路径，使他对公共生活中隐秘的情感结构与集体记忆格外敏感。他的观念实践横跨装置、影像、声音与电子游戏等媒介，以荒诞幽默的剧场化语言构建情境，从中提炼现代性内在的种种悖论。

个展：台，（石家庄，2026），拾萬石家庄。无人时，可以翩翩起舞（上海，2023），展于香格纳画廊。此处无处Erewhon （2022）展于空间互联网。永恒复返（上海， 2021）展于 33ml-offspace。群展：H+许崇智故居（上海，2025）同理轩美术馆（杭州，2025）中心美术馆（杭州，2024）无集x香格纳（上海，2023），逸空间画廊（南京，2023），百度希禳（线上，2022）、 SpaceArtDao（线上，2022）、Vault-FringeFutureFestival （伦敦，2021）、嘉德艺术中心（北京，2021）、三影堂摄影艺术中心（北京，2021）、All Club(上海，2021）、Fibre(上海，2021）、宝龙美术馆（上海，2021）、库茨艺术中心（上海，2021)、史莱姆引擎（线上，2021）、The Coningsby Gallery（伦敦，2020）等。

相关链接：

「90×90×90」耿大有-北京当代

香格纳M50 | 耿大有“无人时，可以翩翩起舞”展览现场

Erewhon：虚拟的当代现实与当代的艺术-姜宇辉-Artbaba

为什么你应该认识一下耿大有？-T中文版

"耿大有：此处，无处"专访转自华尔街日报中文版

本次展览部分作品

耿大有｜Geng Dayou

指向之内｜Oriented Inwards

北美黑胡桃木，碳化新西兰松，不锈钢｜American black walnut, carbonized New Zealand pine, stainless steel

355×175×750mm

2025

Artist: Geng Dayou

Exhibition: Tai

Duration: June 6 – July 31, 2026

Opening: 10:00 AM, Saturday, June 6, 2026

Live Streaming:3:00 PM, Saturday, June 6, 2026

What is a tai? It is the balcony, the kitchen counter, the windowsill in a Chinese home. It is the village opera stage, the tea tray on the table, the prayer platform before a temple. A tai is never large — just big enough for one person to stand on, sit down, or kneel. It has no roof, yet it is where ordinary people do their daily practice. You don't need to retreat into the mountains or take monastic vows. All it takes is standing before your own tai, spacing out for a moment, sipping a cup of tea, lighting a cigarette — and in that instant, the world recedes by a meter.

Jung said that a person needs a temenos — a sacred precinct — to become whole. On the arch of his own house he carved a line in Latin: "Called or not called, the god will be present." That was his tai. And the Chinese have long had an even plainer word for it: lingtai（灵台）— the inner altar. Not a religious shrine, but that small, lucid corner of the mind where one answers to no one but oneself.

Geng Dayou brings together stainless steel, wool, and solid wood — the hardest metal touching the softest fiber. His materials are never neutral: cold and warm, hard and soft, heavy and light — these material relations act directly on the body's perception, touching something primal: a natural materialist worldview inscribed in the flesh. His works are themselves a series of tai, places where the body comes to a halt and reacquaints itself with its own weight and temperature.

Geng has carried this tai into a century-old church in Jingxing. Built in 1931, the church is stone through and through, its load-bearing columns round. Visitors move around these columns as they view the exhibition — the columns are round, and the works gathered around them are round as well. This is no coincidence. The viewer circling the columns is not a passive spectator: every turn is a tiny deviation. Geng traces this deviation back to the accidental swerve of atoms in Lucretius — the clinamen — that infinitesimal break in the chain of cause and effect, which is precisely where freedom and meaning are born.

June 6 — the death anniversary of Carl Gustav Jung. A village church. A ring of viewers circling stone columns. A set of numbers waiting to be recognized. The tai has never been far away. It waits in the most ordinary places, ready for someone to step onto it, to feel that small patch of solid ground beneath their feet. But Geng Dayou says: "Even the most unshakable foundation is born from the order of contingency."

"And we are living, right now, beneath a miracle."

ABOUT ARTIST

Geng Dayou(b. 1998, Zibo, Shandong) currently lives and works in Shanghai. He holds a BSc in Psychology from King's College London and an MA in Contemporary Art Theory from Sotheby's Institute of Art, London. His unconventional educational trajectory—spanning psychology and pure theory—has sharpened his sensitivity to the hidden emotional structures and collective memories that permeate public life. His conceptual practice moves across installation, moving image, sound, and video games, constructing situations through a theatrical language of absurdist humor to distill the paradoxes at the heart of modernity.

Solo Exhibition: Tai,Hunsand Space (Shijiazhuang) (Shijiazhuang, 2026). "When No One is Around, Dance Gracefully" was held at ShanghArt (Shanghai, 2023).Erewhon （Web，2022），Eternal Recerrence，33ml-offspace（Shanghai，2021）. Group Exhibition: H+ Xu Chongzhi Former Residence (Shanghai, 2025) ,Empathy Museum (Hangzhou, 2025), Center Art Museum (Hangzhou 2024), Ws Space x Shanghart (Shanghai, 2023), East Gallery (Nanjing, 2023), Baidu Xirang (Online, 2022), SpaceArtDao (Online, 2022) , Vault-Fringe Future Festival (London, 2021), Guardian Art Center (Beijing, 2021), Three Shadows Photography Art Center (Beijing, 2021) , All Club (Shanghai, 2021), Fibre（Shanghai, 2021), Powerlong Art Museum (Shanghai, 2021) , CouttsArt Center (Shanghai，2021), Slime Engine (Online，2021) ,The Coningsby Gallery (London, 2020) etc.

Thank you all for your continued attention and affection towards Hunsand Space (Shijiazhuang) at the Jingxing Church site.

Following six months of renovation work, the foundational structure of the church has been reinforced, and the roof, windows, and walls have been restored, meticulously reviving the appearance of this village-level church prior to its abandonment. Consequently, our team is delighted to announce the inaugural opening of the church space for an exhibition on April 27th.

During the preparation for the opening exhibition, we have been pondering over what type of exhibition should be presented in such a specific space and how to conceptualize it. Though numerous ideas for exhibition planning have crossed our minds, whenever we are in the village of Beizhangcheng where the church is located, these curatorial plans and concepts seem deliberate and pale in the face of this ancient village. Especially at the end of 2023, when we, along with artists, came here after a heavy snowfall and saw several elderly people sunbathing in the village, one of them holding a baby not yet a year old - dressed in thick overalls, with a rosy red face, and a layer of chapped skin - the natural, primitive health, and vitality were unforgettable, gradually dissipating our somewhat superficial cultural imagination of this space...

Thus, for this opening exhibition, we have decided not to impose a specific theme and to forego the conventional release of a list of participating artists. Instead, we will rely on personal perceptions to select appropriate artists and their works to gradually enter this space, allowing a gradual connection to form between them, with time facilitating the revival and transformation of the space, and the inherent power of art guiding the space's attributes. After the exhibition opens, we will periodically introduce featured artworks and artists, together witnessing the process of their integration with this village church space under natural light.

So, we warmly welcome everyone to personally.

Exhibition Guidelines:

Due to its location within the Taihang Mountains, Hunsand Space (Shijiazhuang) is relatively remote, and thus, except for the exhibition opening, daily visits require prior reservations.

1.The scheduled visiting times are from Friday through Sunday every week(10:00-18:00). During other national holidays, please refer to the official WeChat notifications from the gallery for timely updates. For requests to visit during unscheduled periods, kindly send an email detailing your purpose and any exceptional circumstances; we will consider such requests on a case-by-case basis.

2.Reservation can be made either directly by scanning the QR code below or scan the QR code to add the gallery's customer service WeChat account. When contacting them, be sure to indicate the number of visitors, the desired date, and the specific time slot. Based on the prevailing conditions at that time, we will confirm whether the reservation has been successfully made. In order to secure your preferred time slot, it is recommended to book at least one week in advance.

3.Location and Parking: Please navigate to the church space using the provided GPS coordinates or directions. Parking is available both in the northern and southern areas of Beizhangcheng Village, near the banks of the Gantao River.

观展预约Exhibition Reservation：

客服微信二维码WeChat QR Code：

Photography Guidelines:

1.In consideration of gallery and church management, we do not permit personal or small-scale photography sessions for purely commercial purposes, especially those involving individual portraits, wedding and family photoshoots, or clothing photography. We warmly welcome all visitors to appreciate the exhibitions with a respectful attitude towards art and the artists' creative endeavors.

2.For individuals who wish to bring along a photographer and professional equipment for personal non-commercial shoots, it is essential to contact us in advance. Failure to do so may result in our right to terminate your visitation.

Important Notices:

1.Please ensure you adhere to your reserved visiting times; should any special circumstances arise necessitating a change in your appointment, kindly inform us beforehand to make the necessary adjustments.

2.To allow everyone an intimate experience with the church space and the exhibited works, we have not installed barriers within the exhibition area. We kindly request that visitors maintain a safe distance from the exhibits and refrain from touching them. Should any artwork be damaged due to personal actions, compensation at its full value will be required.

3.In the event of unforeseen circumstances leading to the suspension or cancellation of the exhibition, we will promptly notify you and arrange for an alternative viewing time.

Once again, we express our sincere gratitude for your interest in Ten Thousand Space. We look forward to welcoming you to the heart of the Taihang Mountains.